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Article 4 -
Cleaving Wood (part 1) |
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CLEAVING WOOD
(Part 1) – Or making a chair from a tree without using
electricity or machine tools (part 4)
So far the tree has been felled and the trunk has been cut into
suitable sections. The chair I am going to make is Project 15 in
my series of furniture making projects; the back legs are
actually 900mm high, so the sections of tree need only be 1m
long (to allow for shakes and discolouration on the ends when
dry), however I am going to play safe and go for 1100mm.
Some trees are inaccessible to motorised equipment or are simply
not worth the effort for a variety of reasons. Some of these
trees are worth the effort of felling and cleaving. Why bother?
Well I think I’ll just discuss cleaving or “riving” and let you
decide. |
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So, for a small operation like ours – determined to use
localhardwoods and commercially driven – hiring the Woodmiser
was the answer when enough timber had piled up in the yard.
The narrow blade cuts efficiently with less waste than
conventional sawmilling and when you are converting tree trunks
with their round cross sections into narrow boards, waste really
does matter. Sawmilling wastes more than half the available tree
(well, it does in our experience). The trees are relatively
small hereabouts and have not been grown in any consistent way,
i.e. they have not been forested.
They can be knotty, twisted and bent. Once we dug out a
horseshoe from an ancient Yew, but more commonly it’s the barbed
wire that halts proceedings. |
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So, if sawing is about fairly predictable board production using
available machinery then cleaving is about splitting wood by
hand, using wedges and a sledge hammer - and the boards are not
predictable! We are entering the territory of the sculptor.
Cleaving is an old fashioned way of doing it. Lengths of timber
should be as short as possible – tailored to the job - but
taking into account the difficulties of stacking and drying lots
of different lengths of wood, it’s probably best to stay with a
convenient length for all the pieces and cross-cut them later
(so I opted for 1.100mm). |
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The froe is an ancient implement for splitting wood but is
designed for splitting short lengths of no more than 300mm for
roofing shingles etc.
The timber must be knot–free whether you are using a froe or
wedges. It’s tempting to try splitting timber with a knot in it
(I’ve tried it) and to cut a long story short – avoid knots!
So, now you start looking at timber in a different way, you look
at trees in a different way. Instead of asking “How many planks
can I get out of it?”, you
think “How many chair components can I get out of it?”.
Some Cleaving Suggestions: Leave the cut sections of the tree
trunk for a few days and radial cracks will appear in the ends –
these indicate the best way to split the log.
After putting on the safety boots and making sure you are
standing on clear ground (no branch wood or loose stones), cut
away overhanging branches. Casual bystanders will probably
gather on the day to mutter and generally put you off. Dogs will
tear around with long branches. Move them all to a safe
distance.
Don’t try to do this without having at least three wedges. You
will need a particularly sharp wedge just to get the crack
started. Put the wedges into the side of the log not the end,
one after another, as the crack opens up. Sometimes putting the
wedges close together prevents the wood from splintering too
much.
Don’t try this on a cross-section of greater than 450 – 500mm at
least for a start. Oak and ash will be easier than beech or elm.
Wedges need to be long, say 200 - 300mm.
Take aim by dropping the sledge hammer carefully on the wedge
for the first tap or two and get your stance right before giving
the potential chair any serious consideration.
A saw is handy to sever the fibres (splinters) that prevent the
cloven wood from coming apart.
Try it and learn: Sawing with a machine is a controlled
operation – you decide to quarter saw or cut through and through
and then you start it up and do it. The boards are as you
planned and as you expected. Cleaving is not like that; the tree
dictates how you cut it, to an extent, but because of this the
wood is more predictable – in the way it dries and how it can be
used.
My objective was to get wood that was quarter cut but as this is
also the way that the log wants to split as it dries - from the
centre out – this is not easy. (For those who have done this
before; a natural radial crack is also what bench joiners call a
shake; a serious flaw which must be avoided – so there’s no
point in studiously quarter-cutting if the billet includes a
shake.) Compromise will be necessary, waste will happen; it’s
just that quarter cut wood will be the most stable in the long
run.
I will come back to this when I start to subdivide these ragged
lumps – at least a lot of the stresses are now out of them and
they can be transported back to the shed.
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Allan Fyfe is proprietor
of Lethenty Mill Furniture. He is passionate about the designs and
techniques associated with traditional furniture from the North East of
Scotland. His website,
http://www.lethenty-mill.com, allows other
woodworking enthusiasts to learn these techniques via a series of self
study furniture making projects. |
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